There were more than 3,500 architect, interior and design projects submitted for the first ever Dezeen Awards.
The international Dezeen Awards will identify the world’s best talent, showcasing the most unique pieces.
A total of 207 interior design projects have now been selected for the long list including a revamp of a house built by Frank Gehry, a loft apartment in a former tank station and the offices of IKEA’s creative team.
The shortlist will be announced in August and it will be judged by a panel of leading industry figures, including Terence Conran, Je Ahn of Studio Weave, DH Liberty founder Dara Huang and India Mahdavi.
In the design projects category, a total of 171 entries were submitted including an array of quirky pieces such as a table cloth made from flexible concrete cloth and a garment that could allows humans to breathe underwater.
The category features industry-leading names such as Nendo, Barber and Osgerby, Marc Newson and Patricia Urquiola.
It also includes leading brands like Google and IKEA, plus rising talents such as Normal Studio, Tom Fereday and Envisions.
Other highlights from the list include a wax chair pockmarked by melting balls of resin, clothes that grow as a child does, a UV sensor that tracks sun exposure and a reusable tampon applicator.
Dezeen says the winners of each category will also compete to be named design project of the year – one of nine Ultimate Design Awards, a top tier of accolades that will honour the most outstanding design talent of the year.
The architecture long lists have also been announced and include Swiss firm Christ & Gantenbein, UK studio Jamie Fobert Architects and Mexican office Rojkind Arquitectos, while contenders for emerging architect of the year include US studio The Living and South American office MAPA.
June Caldwell, is a recent graduate of BA Hons Graphic Design at Glasgow Clyde College. June not only has agreat appreciation and understanding of white and negative space, but knows every Simpsons quote there is. Now having graduated and recently exhibited at D+AD New Blood, June aims to focus on her design practice to explore and develop the skills she has acquired in education. June states her desire revolves around editorial and publication design “I am just at the beginning of my career, but I would love to end up in publishing or editorial design one day, as this is where my passion truly shines.”
June’s focus within design is understanding and implementing the beauty and intelligence of typography. This was recently tested through her collaboration with author Alison Page on her illustrated children’s book “The Westie Fest”. This project gave June the opportunity to design and create the typographic layout and hierarchy throughout.
We spoke to June about her final major project: Consume. Consume is a modern take on the traditional Bible, reflecting on issues found in today’s society, it explores the idea of the consequences of consuming too much of one thing and how it can have a negative effect on our physical and emotional health. June used the concept ‘the Seven Deadly Sins’ to allow a format that is relatable, as the concept of sinning has been consistently characterised through the media. Each sin echoes on a individual issue found in contemporary society, such as over-consuming alcohol, eating fast food too often or even the social media craze of “clean-eating”. To bring together the concept of sinning and over-consumption, June used her typographic knowledge to form an A5 perfect bound book.
June explains the ideology behind the A5 Zine was because of its similarity to the bible in its size, shape and form. We asked June about the materials and techniques used to creative the book.
“The cover of the Bible is typically a black leather with gold letter foiling. To reflect on this holy book in a modern way, I used GF Smith’s Plike paper, which has a rubber-like texture. A clear toner effect was used on the cover heading to have a greasy-look, which can be seen when moved in and out of light, reflecting on the message of “whoever conceals their sin does not prosper, but the one who confesses and renounces them finds mercy”, which is stated on the first page.”
June transformed simple images of food into graphic shapes, shown at the start of each chapter and reflects on the number of sins discussed. The reasoning behind simplifying each food was to discourage the target market from taking part in these unhealthy habits. June tells us “I did not want the food and drink discussed to be appealing because I wanted to discourage the target market from taking part in these unhealthy habits. Therefore, I turned simple images of food into graphic forms”
When Bibiana Farenzena moved to England to study a Masters course in Design for Communication, she never expected to run her own design consultancy business eight years later.
The Brazilian-born designer is the co-owner of Upcircle along with friends Ophélia Gisquet and Mercedes Alvarez-Fojo.
Upcircle, which was launched in 2017, is a design studio based in London that offers sustainable design consultancy services in digital, graphic, furniture and interior design.
“We are all friends and we bring different skills to Upcircle. The idea behind our business is to promote the circular economy and the tree pillars of sustainability: economic, environment and social”, says Bibiana.
“Ophélia went travelling to South Africa when she discovered places and people that had the ability to design and create from very little resources, recycling and upcycling materials.
“The community had a creative and very clever mindset and it was then Ophelia had the idea of applying this into her designs too.
“The three of us decided to set up Upcircle using our different skills on projects, which support sustainability and recycling.”
She said Upcircle’s approach to projects focuses on design, the type of materials used, how they are manufactured and the impact it has on society.
Bibibana studied a BA in Visual Design at a university in Brazil, going on to study Digital Print in Textiles at Saint Martin’s College in London. She has also completed a Masters in Design for Communications at the University of Westminster.
The 32-year-old has a wealth of retail experience and has worked with Marks & Spencer, Asos, Body Shop and TKMaxx, to name a few.
Ophélia, 32, was born and studied in France where she did a foundation year in design in Toulouse, followed by an interior design course.
She studied a Masters in interior design and architecture and has worked on projects designing offices, homes and hotels across the globe.
Mercedes graduated in Business and Accountancy from the University of Barcelona and holds an MBA degree from the University of Westminster.
The Spanish-born business developer has worked in the construction industry for 15 years working on projects around the world.
Bibiana said: “Our extensive skill set allows us to work on projects together to promote sustainability and recycling.
“For example, we have worked on student accommodation projects where we use materials, which are recycled and sustainable.
“Many people do not realise but furniture in student accommodations usually have a life of five to seven years because the trend of interior design changes, so the contractors decide to refurbish it and the furniture ends up in landfills.
“But if we design with a different mindset by reusing the same furniture or recycling it, we can create a big positive impact on the environment.”
The trio are currently working on a project with PhD students at the University of West England to create a permanent installation to increase awareness about sustainable palm oil.
The set will include trees, ferns, moss and the furniture will be made out from offcut plywood (reusing common waste in joinery workshop). The joinery will be produced by a Bristol-based company who share the same values about sustainability.
Palm oil is one of the world’s widely consumed vegetable oil and it is used in everything from soaps to biscuits and cosmetics.
Bibiana said: “The aim of the project is to raise awareness about sustainable palm oil because production often comes at the cost of the rich of biodiversity in the rainforest.
“We want to change consumer’s decisions about palm oil and how it can be sourced in the future.”
Upcircle is also working on a project with the university to refurbish four external courtyards, adding manifestations on the floor which is an affordable and sustainable solution. Some of the furniture will be supplied by an outdoor furniture company named Vestre that has “strong sustainable values”.
Bibiana said: “Some of the furniture will be produced by Bristol Wood Recycling Project, who use recycled elements.
“It is a charity that offers free training to people who want to learn joinery or develop their social skills.
“We are also designing three new student accommodations with the aim to implement as much sustainable product and finishes as possible.”
In addition to the university projects, Upcircle is gearing up to take part in the London Design Festival in the summer.
Last year they had an installation called Roots Grow Love, which was a striking wooden structure containing plants to celebrate the love of gardening, to promoting Loughborough Farm and bringing the community together.
Upcircle worked with Loughborough Farm and a group of volunteers from different associations to build the structure which was made of recycling wood and plants from the farm.
The last 18 months have been a whirlwind for the team at Upcircle and there is plenty of exciting projects in the pipeline for them.
Bibiana said: “Our approach has been well received by the industry and we are very happy to see more companies working with us.
“We believe that Upcircle will have a bright future thanks to the great collaboration of each business partner and the hard work.
Palm oil project at the University of West England
“Our values at Upcircle will be a plus for our designs and our clients. By producing a great design and having a positive impact in our society, we hope our studio will make a difference in the creative industry.
“At Upcircle we want to be part of this movement of start-ups that have new ways of working, changing lifestyles and perceptions about work.
“It’s time for us designers but also consumers to change the way we live and produce things. Slow design is about time and so is Upcircle.”
See more from Upcricle over at their website – www.upcircle.co.uk
London based Illustrator and Visual Communicator Eloise Grohs creates distinct characters whose gangly limbs flow with movement and rhythm. Interchanging between digital and mixed media, dense black outlines and no outlines at all, Eloise’s work is full of charm because of these boisterous and energetic bodies.
Eloise’s work is varied both in her choice of materials and the subjects she chooses to focus on. The subject of her work focuses around everyday life and taking mundane subjects and tasks and creating innovative, unique and playful illustrations from them, which despite their craziness are extremely relatable. A flick through Eloise’s portfolio demonstrates her colourful and distinctive style as a release of emotion and expression.
“I can poke fun at things I dislike (mainly about my retail job) in my illustrations. Drawing the things that frustrate or bother me is my creative outlet. Getting them out on a page lets me laugh at them, make them seem small, or just clear my mind of them.”
Eloise’s project ‘Post graduation’ focuses on her perceptions and fears of graduating followed by her post-graduation realities.
“I tend to illustrate my daily woes. Monotonous time-consuming activities that filter into my day, or things that bore me, tend to be repeated sources of inspiration/themes within my work”
Despite being a seemingly light-hearted series, Eloise tackles issues and fears which are extremely common head on and presents her solution in the form of a mixture of digital illustration and craftmanship, which due to the execution viewers can find comfort in. Eloise’s illustrations may look straightforward but there’s deeper meaning hidden within. Filled with painting, collage skin tones, rainbows, white space, grids and minimal typography is really important to Eloise’s pieces.
Ikea has announced they are working with sports giants Adidas on a collaboration. The two brands are going to join forces to utilizes Ikea’s specialty (the home) with Adidas’ (sports) by fashioning and manufacturing a more practical way to workout at home.
Their starting point of their collaborative project will be research through studying, learning, and analysing how individuals integrate fitness and wellness into their homes and daily lives. Ikea aims to recognize and cater for what people want and need when it comes to exercising, sleeping and eating at home. Their new collaboration with Adidas investigates the links between living spaces and sport, and how both can be made in a way to help create healthy lifestyle.
At their public announcement, IKEA revealed it will work with Adidas on a collection of home sports equipment “for women, by women.” “Our goal is to make sport accessible to everyone,” Josefine Aberg, VP of Design at Adidas, said in a statement. “Working with IKEA, we’ll look at why some people are more active than others, especially young women, and explore what role the home can play in removing barriers to fitness.”
IKEA also announced further exciting collaborations with Lego, and Solange Knowles’ company, Saint Heron. Ikea and Lego have united to inspire ‘more play’. Whilst ‘more play’ is quite vague and open for interpretation, Ikea believes it is an ‘essential part of a better everyday life’. The partnership aims to improve and raise the chance for more play, and IKEA believe the first step is to make the home an improved living space and more fun place. Ikea’s collaboration with Saint Heron will explore architectural and interior design objects with multifunctional use.
Nathan Hulman is an upcoming and talented product designer, specializing in upcycling and working with found materials, which he brings back to life by giving them a new purpose.
Nathan graduated from Nottingham Trent University, having studied a BA in Product Design and has been working as a product designer since. Nathan explains, whilst he always loved fixing and creating things, deciding his career path was a difficult choice.
“I’ve always been interested in creating new things and solving problems but took a while in deciding what career I wanted to go down. Having taken applied science, geography and product design as my A levels, I ended up doing an art and design foundation course before deciding on going to university to study product design full time. Since then I’ve helped Constellations, a furniture and interior design company, come up with new ideas for their range of storage products through a graduate internship.”
Bits ’n’ Bulbs Was Nathan’s final project for his foundation course. The idea behind this project was repurposing and upcycling to create usable lights. Upcycling is a way to transform old things in a way that turns them into something new without breaking the product down into its raw materials. Instead, upcycling gives new life to an old object, and this is exactly what Nathan achieved with his Bits and Bulbs project.
In today’s society, more and more young designers are diverting their focus on to sustainable design and recycling/upcycling. Sustainable design is a new method of designing objects, the manufactured environment, and services to conform with the philosophies and values of social, economic, and ecological sustainability. The purpose of sustainable design is to reduce the harmful impact on the environment through clever and thoughtful design. Sustainable design must use renewable resources, impact the environment minimally, and connect people with the environment.
Bits ‘n’ Bulbs was Nathans first upcycling project so he says he had difficulty adjusting to the organic way of working and not having entire control over the finished product.
“I already had the components to use and hadn’t much control over what the finished product would look like, so it was a fun play on “form follows function” since it was reversed.”
Nathan adds the challenge was balancing the aesthetics of the components in a way that works functionally and had to overcome challenges to ensure the finish product not only looks good but is fully functioning.
“One of the lamps uses a kettle as the lampshade which was too heavy for the base, so I used the wire from the bulb to anchor it in down which actually worked well aesthetically. I learned to be a bit looser in my design projects and see where any mistakes or unintended outcomes take the project.”
Bits ‘n’ Bulbs inspired Nathan to continue his investigation in to Upcycling when he got to university and kept on working loosely without restricting himself. He explains how embracing mistakes can work in your favor, how you can capitalize on them.
“I was prototyping a desk lamp using foam, and halfway through I completely changed the design. A dent in the foam looked as if it could be a nice visual cue that the base is touch activated, and the loose stalk gave me an idea for how the lamp could be adjusted. In the end it turned out much better than I expected, and I found the unintended outcomes in finding a solution that don’t seem ideal can actually really help with coming up with new ideas.”
A product design student from De Montfort University has scooped an international award for her sustainable toy design.
Elly Skelton designed a durable scooter, called ‘1 Toy for Life’, which is plastic-free and suitable for children from the age of two all the way to age 12. The toy was initially designed for the RSA Student design awards. The RSA Student Design Awards is a global curriculum and annual competition for higher education students and recent graduates run by the RSA. Each year the Awards challenge emerging designers to tackle a range of design briefs focused on pressing social, environmental and economic issues.
Elly’s design is a result of the ‘Fair Play’ brief set by the RSA, which focuses on creating a sustainable toy. Given the finite resources of the planet and increasing rates of consumption by a growing population, current levels of waste are unsustainable. Just ‘using less’ and recycling is not enough. Designers need to completely rethink the manufacture and life cycle of products and their components, and design them in a way that eliminates waste. Sustainability is becoming a huge issue in todays society and young designers are having to learn how to adapt and develop their work in order to ensure its sustainability.
Elly’s design can be adapted as the user grows, so it can last for their entire childhood. She was inspired to create a scooter by her childhood memories of playing on scooters with her brother. The third year Leicester university student won £2,000 by the Royal Society for the encouragement of Arts, Manufactures and Commerce after winning the Student Design award.
Elly from Milton Keynes said: “It’s amazing to have won the award. It is such an honour to be nominated and it was a great experience to go down to London to the RSA headquarters and present my design.” The toy is made from aluminium, which complied with Elly’s design brief.
She said: “I started looking into materials I could use for the circular economy and I thought of aluminium because it is so recyclable, 75% of aluminium ever created is still in use today, which is amazing.
“For both of my projects this year I have wanted to move away from plastics.
Elly aims to use her skills and experience in design to focus on sustainability and implements it in to other projects she’s working on. “My other major project is about eradicating plastic bags and hangers from retail stores. It all feeds into the anti-plastics sentiment.”
The 21-year-old was named as one of three winners in her category.
All the winners have been invited to an award ceremony in London on 27 June.