Emotional and expressive states are the driving force behind illustrator Aysha Choudhury’s work

Aysha Choudhury is an artist and illustrator from the United Kingdom. Her work can easily transport you to another world, emotional and expressive states are the driving force behind Aysha’s work, her use of shape and a vibrant colour palette to visualise such abstract thoughts.

Aysha has been involved various exhibitions across London in galleries such as RichMix and 508 Kings road gallery. She is the winner of the Heath Robinson- Illustration Competition 2016 and was exhibited in the Heath Robinson Museum 2017. She uses her work to unleash her imagination and her use of color help to subconsciously inspire those emotions in the viewer.

Aysha uses her ingenuity to grow and develop in her work using mainly traditional mix media. It enables Aysha to create stories portraying a sense of journey with symbolism that uses true elements of nature and colour. As well as the contrast of structure and motion of movement that might be encapsulated in her paintings.

You can see more of Aysha’s work here – http://www.ayshaarts.com

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Illustrator Laura Parker on using her Illustration practice as a platform for social issues

London based Illustrator Laura Parker’s colourful portfolio is filled with drawings, installations and paintings of insects, birds, abstract sculptural creations; whether it’s sewn-like human bodies hanging from the ceiling or ceramic sculptures of human bodies with a bird’s head. It’s fair to say Laura’s work is instantly recognisable, due to its unique and personal approach.

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Born in rural Norfolk, Laura uses her Illustration practice as a platform for social issues and campaigns she feels passionate about. An example of this is one of her most recent projects ‘Grow Wild – As free as a bee’. Grow Wild was created and motivated by our need as a society to help our Bumblebees in the UK since being listed as an endangered species.

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The importance of bumblebees is often overlooked, as their population has plummeted nearly 90 percent. The threats facing the population of bees are argued to be a result of: loss of habitat, diseases and parasites, pesticides, and climate change. This is a big deal not only for bees but for people, too—after all, bees pollinate a lot of our food.  “Bumblebees are among the most important pollinators of crops such as blueberries, cranberries, and clover, and almost the only insect pollinators of tomatoes,” according to the U.S. Fish and Wildlife Service.

Laura was funded to create a body of work as part of the Grow Wild Get Creative Takeover at Summer hall in Edinburgh. She aims to use her talents and unique illustration style to bring awareness to this significant issue and encourage people to take action. “For this exhibition I didn’t just want to highlight the issue, but also help towards a solution, so as well as this installation people were also encouraged to take home a pack of wildflower seeds, to grow.”

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Laura incorporates a wide variety of media within her work and enjoys the challenge of combining illustration with textile processes. This enthusiasm to combine different materials and mediums ensures each project she works on is unique to the other, whilst keeping her distinguished style. Laura’s unconventional drawings and unorthodox compositions expand the viewer’s creative muscles. Her drawings prompt us to acknowledge the issues she highlights. Her work challenges conventions and offers new forms of visual expressions that have not seen before.

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You can see more of her projects here – https://www.lauraparkerillustration.com/

 

 

 

Illustrator Eloise Grohs on post-graduation realities

London based Illustrator and Visual Communicator Eloise Grohs creates distinct characters whose gangly limbs flow with movement and rhythm. Interchanging between digital and mixed media, dense black outlines and no outlines at all, Eloise’s work is full of charm because of these boisterous and energetic bodies.

Eloise’s work is varied both in her choice of materials and the subjects she chooses to focus on. The subject of her work focuses around everyday life and taking mundane subjects and tasks and creating innovative, unique and playful illustrations from them, which despite their craziness are extremely relatable.  A flick through Eloise’s portfolio demonstrates her colourful and distinctive style as a release of emotion and expression.

“I can poke fun at things I dislike (mainly about my retail job) in my illustrations. Drawing the things that frustrate or bother me is my creative outlet. Getting them out on a page lets me laugh at them, make them seem small, or just clear my mind of them.”

Eloise’s project ‘Post graduation’ focuses on her perceptions and fears of graduating followed by her post-graduation realities.

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“I tend to illustrate my daily woes. Monotonous time-consuming activities that filter into my day, or things that bore me, tend to be repeated sources of inspiration/themes within my work”

Despite being a seemingly light-hearted series, Eloise tackles issues and fears which are extremely common head on and presents her solution in the form of a mixture of digital illustration and craftmanship, which due to the execution viewers can find comfort in. Eloise’s illustrations may look straightforward but there’s deeper meaning hidden within. Filled with painting, collage skin tones, rainbows, white space, grids and minimal typography is really important to Eloise’s pieces.

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You can see more of Eloise’s work here:
Website – www.eloisegrohs.com
Instagram – @e.____g

 

Jake Colemans collages take us to the unique grasps of his imagination

Jake Coleman is a multi-disciplinary designer from Chicago, currently working in London. Whilst Jake balances his life across two continents, he is a freelance creative director at Haight Brand, a music and film management company out of Chicago. He assists in everyday design tasks that range from tour branding to web design and merchandise. Jakes way of working often varies between each project, frequently switching up his techniques and experimenting, though he is most well-known for combining hand-rendered techniques with digital executions.

Most recently, Jake has been working on tour flyers for Towkio, a Chicago based rapper. These individual show fliers are for the first leg of a 3-legged tour across Australia, Europe and North America. Jake explains Towkio’s new album ‘WWW’ or ‘Worldwide Wave’ was the first album to drop in space. His cover shoot, shot on an iPhone by Marcus Hyde, assisted to visualise this new transcendence. The contrast that’s built between the astronaut suit and the Mayan Pyramids is also used to aid in illustrating that point. So, for each of his four European shows, a simple execution of ripping and masking printed paper behind the artist was needed. This can be interpreted in many ways, one of them being an un-layering of the surface. Another showing the artist entering a new dimension that’s represented by the specific city.

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Jakes handmade collages delight in the unique grasps of the imagination. Looking at his work has an immediate impression on the viewer. The constant pushing of his practice allows Jake to constantly evolve, look for answers, avoiding a defined ‘style’, and present us with something new with each project.

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You can see more from Jake at http://www.behance.net/jakecoleman

Illustrator Parys Gardener aims to highlight the voices and narratives of Black women

Parys Gardener is a Bristol based illustrator and digital designer who has produced work for GAL-DEM magazine, a creative collective comprised of over 70 women and non-binary people of colour and worked with Black history month Bristol.

Her style of work could most easily be described as contemporary pop art. With her work, Parys aims to highlight the vioces and narratives of Black women and other WoC (Women of colour).

Parys works mostly with colour, tone and pattern across digital mediums and is passionate about communicating theories surrounding identity and culture. She often takes inspiration from her own background and family history, particularly her grandparents.

” I’m massively inspired by the strength and the legacies of my grandparents, particularly my grandmothers who were part of the Windrush generation. The more I learn about their lives, the more I become inspired to work hard. I’m also extremely proud of my heritage and I find the theories surrounding cultural identity. Those themes are always subconsciously influencing my work.”

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Working in portraiture and the human figure, Parys combines traditional and contemporary formats of illustration and motifs with modern modes of representation. Parys’s strong use of powerful colours forces you to confront the issue she is conveying and presents it in a unique yet relatable manner.

One of Parys’s goals is using her work to reclaim the voices of Black women and other WoC (women of colour) and inspire others to make women of all backgrounds the centre pieces of their own narratives.

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With her work, Parys aims to break down stereotypes and use it as a platform to support women of colour. Her work reclaims the voice of black women by challenging stereotypes and presenting society with a new, alternative and far more accurate representation. Using her work as a platform and voice, Parys hopes her work will normalise the image of black women and other WoC being seen as active figures in a range of narratives.

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Lady Like/ To Sit Like a Lady

You can see more work from Parys at @Parysgardenerart on Instagram

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Feelings Towards Caribbean “Cultural Heritage Sites”